Black Eyed Peas Shakira at French music awards

Hips don't lie: Shakira dons stunning tight black dress to join Usher, Black Eyed Peas and more at French music awards

She-wolf Shakira was the belle of the ball as she stalked the red carpet at the 12th annual NRJ Music Awards in Cannes last night.
The 33-year-old singer looked stunning in a tight black frock as she waved to the hundreds of fans from the red carpet at the glitzy bash.
The star also played live at the event, belting out songs Loca, from her album of last year Sale El Sol, and her World Cup anthem of last summer, Waka Waka, while hypnotising the crowds with her trademark slinky hip moves.

She also ended up one of the big winners at the ceremony, picking up gongs for International Female Artist of the Year and International Song of the Year for her World Cup hit.
It's the first time the star has been seen out in public since she announced the break-up with her Argentinian boyfriend of 11 years - who is also her manager - earlier this month.

The couple revealed in a joint message on Shakira's website that they actually broke up last August, but had kept it private until their announcement.
Shakira and Antonio de la Rua said they viewed their separation as temporary, and de la Rua will continue to oversee Shakira's business and career interests.
Also at the do were Jermaine Jackson, Usher, apl.de.ap and Will.i.am of The Black Eyed Peas and David Guetta.
Model Victoria Silvstedt had also donned a short black dress for the black tie event, run by French radio station NRJ.

It's the first big event of the Midem, the world's music music industry trade fair, which takes over Cannes in the south of France every January.
Other winners at the event included Justin Bieber, who won International Revelation Of The Year, Black Eyed Peas who won Best International Group and Concert Of The Year and Usher won International Male Artist Of The Year.
David Guetta equalled Shakira's two awards with Hit Of The Year for Club Can't Handle Me and the Award Of Honour.

Black Eyed Peas - The Time NRJ Music Awards 2011

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Love the Way You Lie Lyrics Video Mp3 Song

Eminem: Love the Way You Lie Lyrics Video Mp3 Song Watch online

Just gonna stand there and watch me burn
Well that's alright because I like the way it hurts
Just gonna stand there and hear me cry
Well, that's alright because I love the way you lie
I love the way you lie

I can't tell you what it really is, I can only tell you what it feels like
And right now there's a steel knife in my windpipe
I can't breathe but I still fight while I can fight
As long as the wrong feels right it's like I'm in flight

High off of love, drunk from my hate
It's like I'm huffin' paint and I love it, the more I suffer
I suffocate and right before I'm about to drown, she resuscitates me
She fuckin' hates me, and I love it

Wait, where you going? I'm leaving you, no, you ain't
Come back, we're running right back, here we go again
It's so insane, 'cause when it's going good, it's going great
I'm Superman with the wind at his back

She's Lois Lane but when it's bad, it's awful, I feel so ashamed
I snap, "Who's that dude?", I don't even know his name
I laid hands on her, I never stoop so low again
I guess I don't know my own strength

Just gonna stand there and watch me burn
Well that's alright because I like the way it hurts
Just gonna stand there and hear me cry
Well, that's alright because I love the way you lie
I love the way you lie
I love the way you lie

You ever love somebody so much, you could barely breathe when you with 'em?
You meet, and neither one of you even know it hit 'em
Got that warm fuzzy feeling, yeah, them chills, used to get 'em
Now you're gettin' fuckin' sick of lookin' at 'em

You swore you'd never hit 'em, never do nothing to hurt 'em
Now you're in each others face spewing venom in your words when you spit 'em
You push, pull each others hair, scratch, claw, bit 'em
Throw 'em down, pin 'em, so lost in the moments when you're in 'em

It's the race that took over, it controls you both
So they say you'd best to go your separate ways, guess that they don't know ya
'Cause today, that was yesterday, yesterday is over, it's a different day
Sound like broken records playing over

But you promised her, next time you'd show restraint
You don't get another chance, life is no Nintendo game
But you lied again, now you get to watch her leave out the window
Guess that's why they call it "window pane"

Just gonna stand there and watch me burn
Well that's alright because I like the way it hurts
Just gonna stand there and hear me cry
Well that's alright because I love the way you lie
I love the way you lie
I love the way you lie

Now I know we said things, did things that we didn't mean
And we fall back into the same patterns, same routine
But your temper's just as bad as mine is, you're the same as me
But when it comes to love, you're just as blinded

Baby, please come back, it wasn't you, baby, it was me
Maybe our relationship isn't as crazy as it seems
Maybe that's what happens when a tornado meets a volcano
All I know is I love you too much to walk away though

Come inside, pick up your bags off the sidewalk
Don't you hear sincerity in my voice when I talk?
Told you this is my fault, look me in the eyeball
Next time I'm pissed, I'll aim my fist at the drywall

Next time? There won't be no next time
I apologize, even though I know it's lies
I'm tired of the games, I just want her back, I know I'm a liar
If she ever tries to fuckin' leave again, I'ma tie her to the bed
And set this house on fire

Just gonna stand there and watch me burn
Well that's alright because I like the way it hurts
Just gonna stand there and hear me cry
Well that's alright because I love the way you lie
I love the way you lie
I love the way you lie

Eminem: Love the Way You Lie Lyrics Video Mp3 Song

Video From: www.youtube.com

Lie to Me Saved Movie Trailers Review

Lie to Me Save,  Saved Movie Trailers Review

While this week’s episode of Lie to Me was very well done and enjoyable, I have one request: Can Tim Roth not talk with his mouthful again?

Based on "Saved," I am starting a new game: counting the number of times in each episode that Cal Lightman is eating or looking for something to eat (or drink). Kathy J commented last week about how often this occurs, so I made a point of watching for it this week and I completely agree with her that the man must be hypoglycemic.

This week’s episode focused on paramedic Ilene Clarke (very well portrayed by Annabeth Gish) as a possible adrenaline junkie who gets off on saving people so much she was actually causing accidents. Of course, there was more to it than that, as it turned out her mentally handicapped brother was causing the accidents to punish her for their mom dying years before.

To be honest, there was nothing new and different here. In fact there were two regurgitated tropes that I have to point out because they bugged me so badly:

1. District Attorney that just wants convictions. They introduced Assistant District Attorney Jill Ottinger, who is a tough-as-nails, don’t-care-about-the truth bad ass who is always grumpy and “just wanted to close cases." First, this is such a tired concept that I am actually more surprised with a movie/TV ADA isn’t portrayed like this.

Second, doesn’t the Lightman Group have enough law-enforcement types that burst into the office looking for Lightman bitching about how he has gone about something? Wasn’t the point of getting rid of the FBI this season to change it up and not use the same tired stereotypes?

2. Remote “Clicker” to change stop lights. First, there isn’t a “remote” clicker to change stop lights. The only push-button to change the lights is a button on a spring-cord inside the traffic signal box that police have access to. You will see this used a lot with concerts and events where they want to control the lights (if not just directing traffic).

What ambulance drivers, firemen, cops, FBI and any other police/state vehicle do have are flashing strobes lights that trip a special photo-sensor calibrated specifically for emergencies.

However, neither of these two items can change the lights in one direction nor change it instantly; it forces the lights to cycle. In the case of the strobe sensor it makes it so that lights in the direction the emergency vehicle is traveling gets a green-light quicker; but both still have to allow for the normal programmed length of time for the cross traffic to get a yellow and red light. What this means is that the entire story premise is built on a horrid Hollywood trope of being able to control the lights to cause accidents. (The Italian Job at least did this more believably).

So now you might be asking, “Jim, why did you give it a 4.3 rating if had huge holes and worn tropes in it?” The answer is easy: Emily Lightman. The interaction between Cal and Emily in this episode made up for any short-comings the main story plot had. It is no secret that I am a huge fan of Emily and that I see her as a force to be contended with. Tonight was no exception, just check out the quotes from this episode to see what I mean.

While we won’t be seeing any more of Emily’s mom Zoe - played by Jennifer Beals new star of The Chicago Code - I really hope that we continue to get more of Hayley McFarland as the show progresses.

The official eating count for this week: four times total, including two different times he was talking while eating. Did you catch them all? Did I miss any?

Lie to Me Saved Movie Trailers

Trailers And Review: www.tvfanatic.com